Forms of Being Cinema, Aesthetics,Subjectivity. BFI 2004
Les Secrets du Caravage edition EPEL Paris (Dec 2002). Reviewed in Le Monde January 2003; Le Nouvelle Observateur January 2003, Beaux Arts magazine April 2003.
Caravaggio: Derek Jarman’s Caravaggio (with L. Bersani, British Film Institute, 1999)
Caravaggio’s Secrets (with L. Bersani, MIT Press, 1998)
Arts of Impoverishment: Beckett, Rothko and Resnais (with L. Bersani, Harvard University Press, l993)
“Little Cuts in Time: Photography and the Everyday,” in The Made and the Found, Essays in Honor of Michael Sheringham, edited by Emily McLaughlin and Peter McGuinness, (Legenda, 2017)
“Rancière and Proust: Two Temptations ,” in Understanding Rancière, Understanding Modernism, edited by Patrick Bray, (Palgrave 2016).
“Swann’s Gift – Odette’s face (Photography, Money and the Social World in À la recherche du temps perdu)” in Proust and the Arts, (Cambridge U Press, 2015).
“The time of Emergence/ The Emergence of Time. Life in the Age of...
“Allégories de la Sexualité dans l’Ovide Moralisé,” Cahiers de Recherches Médiévales (XIIIe – XVe s.), special edition, “Lectures et usages d’Ovide (XIIIe-XVe siècles,” Vol. IX (2002), 53-70.
La Mort du roi Arthur. Nouvelle édition critique, traduction, présentation et notes. Paris: Livre de Poche (coll. «Lettres gothiques»), 2009.
The Debate of the Romance of the Rose. Edited and translated, with introduction and notes. “The Other Voice in Early Modern Europe.” Chicago: University of Chicago Press, 2010.
