We'll have three major goals: 1) to acquire a reasonable familiarity with representative works from the massive and massively influential "realist" novelistic project that Honoré de Balzac elaborated in the 1830s and 1840s; 2) to think about the way Balzac's project could be viewed as a version of critique by way of novelistic form; 3) to explore a range of major critical approaches (along with some of their theoretical underpinnings) from the last half century or so via the way they have taken up various texts by Balzac. Those approaches will include marxism, poststructuralism, deconstruction, feminism, queer theory, speech act theory/performativity, and decolonial critique.